Also a subtag of Buddha
22 excerpts, 1:23:06 total duration
Reflection by Ajahn Pasanno: Bowing to the Buddha is bowing to the qualities the Buddha manifested and recollecting those qualities in ourselves. [Bowing ] [Buddha images ] [Recollection/Buddha] [Recollection/Virtue]
Devotion and Ritual: Becoming the Buddha [2017], Session 2, Excerpt 2
4. Story: When I met Ajahn Chah. Told by Ṭhānissarā. [Ṭhānissarā] [Ajahn Chah] // [Meditation retreats] [Ajahn Sumedho] [Personal presence] [Hearing the true Dhamma] [Liberation] [Happiness]
Story: Ajahn Chah bows to a small, neglected Buddha image in a secular meditation center and inspires Ṭhānissarā‘s faith. [Bowing] [Buddha images] [Perception of a samaṇa] [Human] [Faith]
Quote: “If you’ve been listening to this and you think this is good or you think this is bad, then you haven’t been listening properly.” — Ajahn Chah. [Judgementalism] [Appropriate attention]
15. (A) “Please say a few more words on posture. For example, I noticed that my body was leaning towards the left. If I weighted my right hand with intention, this seems to stop. Is this a correct tactic?” (B) “In my martial arts training, a goal is to relax and make the breathing easier. Is that true of vipassanā as well?” Answered by Ajahn Pasanno. [Posture/Sitting] [Mindfulness of body] [Volition] [Tranquility] [Mindfulness of breathing] [Insight meditation] // [Aggregates] [Energy] [Buddha images]
Quote: “That looks like a farang [Western] Buddha. It looks very tense.” — Ajahn Chah. [Ajahn Chah] [Ajahn Sumedho] [Buddha images] [Artistic expression] [Culture/West]
6. Story: Ajahn Sumedho brings a “farang Buddha” to Ajahn Chah. Told by Ajahn Pasanno. [Ajahn Sumedho] [Buddha images] [Ajahn Chah] [Culture/West]
1. “You showed pictures of the statue at Bodh Gaya. It seems like the Bodhi Tree is more important. Does the statue have no historical importance?” Answered by Ajahn Karuṇadhammo, Ajahn Pasanno and Ajahn Jotipālo. [Bodhi Tree] [Buddha images] [Visiting holy sites] // [Devotional practice] [History/Early Buddhism] [History/Indian Buddhism] [Symbolism] [Tipiṭaka]
11. “I am so grateful for the peace I am developing here and in my life. It feels like a refuge. Is it the fourth refuge?” Answered by Ajahn Pasanno. [Tranquility] [Gratitude] [Three Refuges] // [Buddha images]
Quote: “That farang Buddha is really like a farang. He’s really tense and stressed.” — Ajahn Chah. [Ajahn Chah] [Buddha images] [Culture/West ] [Ajahn Sumedho] [Thai] [Restlessness and worry] [Humor]
6. Story: Ajahn Khemadhammo creates Buddha groves in prisons. Told by Ajahn Pasanno. [Ajahn Khemadhammo] [Prisons] [Buddha images] // [Ceremony/ritual] [Ajahn Pasanno] [Tranquility]
10. “Would you please explain what is appropriate with regards to a Buddha image? Is it ok to put a Buddha statue directly on the ground or level concrete, or must the statue be on a platform always?” Answered by Ajahn Pasanno. [Buddha images] [Respect]
1. Story: It took three tries to make Abhayagiri’s sandstone Buddha image. Told by Ajahn Pasanno. [Abhayagiri] [Buddha images] [Artistic expression] // [Ajahn Achalo] [Postures]
3. Story: The origin of Buddha images. Told by Ajahn Pasanno. [History/Early Buddhism] [Buddha images] // [Culture/West] [Geography/India]
4. Reflection by Ajahn Pasanno: Buddha images show the eyes open because Buddha literally means “awake.” [Buddha images] [Buddha]
12. Story: The origin of the Guan Yin statue in Abhayagiri’s Reception Hall. Told by Ajahn Pasanno. [Buddha images] [Abhayagiri] // [Generosity]
2. Reflection by Ajahn Pasanno: Bowing to the Buddha is bowing to the qualities the Buddha manifested and recollecting those qualities in ourselves. [Bowing ] [Buddha images ] [Recollection/Buddha] [Recollection/Virtue]
1. Story: The making of the small replicas of the main Buddha image. Told by Ajahn Pasanno. [Buddha images] [Artistic expression] [Abhayagiri] // [Devotional practice] [Lay life]
12. Ajahn Pasanno encourages the recipients of the small Buddha images to chant and do ceremonies so that the images gain power to invoke wholesome qualities from the heart. [Buddha images] [Pūjā] [Skillful qualities] [Buddha]
5. “Why do we bow to images?” Answered by Ajahn Pasanno. [Buddha images] [Bowing] [Monastic life] // [History/Early Buddhism] [Abhayagiri]
11. Serendipitous generosity in the early days of Abhayagiri. Recollections by Ajahn Amaro. [Lay supporters] [Generosity] [Abhayagiri] // [Buddha images] [Building projects] [Lodging]
4. “What is the meaning of the inscription on the Buddha statue behind you?” Answered by Ajahn Pasanno. [Buddha images] [Abhayagiri] // [Ajahn Jundee]
17. “Can you speak about Luang Por Chah’s opinion about Thai superstitions and amulets?” Answered by Ajahn Pasanno. [Culture/Thailand] [Superstition] [Amulets] [Ajahn Chah] // [Humor] [Ghost] [Generosity]
Story: A young supporter drafted into the military asks Ajahn Chah for protection. [Buddha images]